Sonnets of Spinsterhood

21 February 2016

In 1915, the poet Snow Langley was 36 years old and unmarried: a “spinster” in the thankfully now-obsolete parlance. Spinning wool was typically the job of unmarried women, and spinster was used in legal documents as early as the 1600s to denote an unmarried woman who was likely to stay that way. One might think, then, […]

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PPIE Ephemera

14 February 2016

In addition to his books, Paul Elder & Co. produced a large amount of ephemera: greeting cards, postcards, catalogs, bookmarks, etc. Here is a small sampling of ephemera featuring the Panama-Pacific International Exposition.

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The Fourth-Dimensional Reaches of the Exposition

7 February 2016

In the 19th century, mathematicians such as Lagrange and Hamilton began exploring fourth dimensional space. In his 1888 book A New Era of Thought, mathematician and science fiction author Charles Howard Hinton coined the term tesseract for the fourth-dimensional analog of a three-dimensional cube. (The term was famously borrowed in 1963 by Madeleine L’Engle in A Wrinkle In Time.) […]

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Holland — An Historical Essay

1 February 2016

From what source did the forefathers of modern America acquire the high ideals of government and right living that made the American Republic first a possibility, and finally a proved realization? … One nation, and one only, in the whole of Western Europe, at the time of the founding of the New England Colonies, embodied […]

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Little Bronze Playfellows

24 January 2016

In Little Bronze Playfellows (1915), author Stella Perry creates fanciful children’s stories based on several of the bronze statues of children scattered about the grounds of the Palace of Fine Arts. It is one of a dozen books issued by Paul Elder during 1915 Panama-Pacific International Exposition. The bronze boys and girls are all gamboling about while perfectly naked. […]

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The Sculpture and Mural Decorations of the Exposition

19 January 2016

As with the other three books in Paul Elder’s quartet of formal books on the Panama-Pacific International Exposition, The Sculpture and Mural Decorations of the Exposition (1915) consists primarily of tipped-in photographs with accompanying descriptive text. A. Stirling Calder, the “Acting Chief of Sculpture of the Exposition,” has name is on the cover, but his contribution consists […]

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The Architecture and Landscape Gardening of the Exposition

9 January 2016

Visitors to the Panama-Pacific International Exposition could not help but be awestruck by the monumental scale of the buildings. It was a Fair of Superlatives: the grounds covered 635 acres, the Palace of Horticulture was the largest dome then in existence (larger than St. Peter’s in Rome), the Tower of Jewels rose 435 feet high–forty-three stories! The Architecture and […]

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Galleries of the Exposition

23 May 2015

While Eugen Neuhaus’s Art of the Exposition viewed the Panama-Pacific International Exposition as a whole, in his companion volume Galleries of the Exposition, he focused on the paintings in the Palace of Fine Arts. Neuhaus’s goal is nothing less than a comprehensive guide to the galleries: It is certainly no small task to enjoy a large exhibit […]

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The Art of the Exposition

8 March 2015

Eugen Neuhaus called his book The Art of the Exposition, but it might more accurately be titled The Art Critic Goes to the Fair. Neuhaus walks through the whole complex, giving us his impressions. The following pages have grown out of many talks given during the year by Mr. Neuhaus to his students at the University […]

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Catalog Deluxe of the Panama-Pacific International Exposition

20 February 2015

One hundred years ago today, on 20 February 1915, San Francisco opened its doors to the world. The sparkling Panama-Pacific International Exposition was laid out on 625 acres on the northern shore of San Francisco, what is now the Marina district. Officially, the Exposition celebrated the recent opening of the Panama Canal, but everyone knew […]

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