Errors of Thought

Title page of "Errors of Thought"
Title page of “Errors of Thought”

This book is surely the strangest that Paul Elder ever published. It is the antithesis of the attractive, well-printed, easily-read giftable volume that was the Elder specialty. Without a doubt a vanity publication, Errors of Thought in Science, Religion and Social Life (1911) is a long, rambling, incoherent screed on education, science, history, religion, and politics. It’s also poorly typeset, printed on coated stock, and published without a stiff binding. Two states have been seen, the second including an errata page which is just as incomprehensible as the main text. Indeed, it is difficult to understand why Paul Elder was willing to put his name on this bizarre book. And who was the author, identified only as “St. George”?

The story of St. George begins with George Hugo Malter (1852-1927) who immigrated to the United States from Silesia (then in Germany, now part of Poland) in 1866. Malter made his way to California and became a mining engineer, but by 1879 he had abandoned engineering to become a grape grower and winemaker. He proved a successful vintner, and by 1900 Malter owned one of the largest vineyards in California at over 2000 acres. He was a member of the Bohemian Club and the owner of the Emerald, a well-known yacht. The village around his home base in Fresno County was named Maltermoro (today a residential neighborhood of Fresno known as Sunnyside).

The Maltermoro manor house (courtesy Fresno Public Library)

The winery’s main brand was called “St. George,” and it specialized in aperitif and dessert wines: Pale Dry Sherry, Dry Sherry, Sherry, and Mellow Sherry; Ruby Port and Tawny Port; Golden Muscat and Muscatel; Madeira and Grenache; Tokay, White Port, and Angelica.

In 1904, Malter married Mabel Pearl Richardson (1882-1967), a San Francisco native. He was 52, she was 22; it was the first marriage for both of them. It is the 29-year-old Mabel who is the author of our book, taking her pseudonym from the winery’s flagship product. In 1914, Mabel wrote another eccentric book, The World Process, this time self-published by the “St. George Publishing Company.”

The St. George Vineyard at Maltermoro (courtesy Fresno Public Library)

The draconian restrictions of Prohibition took a huge toll on the St. George winery. By the time George Malter died in 1927, all that was left was a small acreage and the manor house. Their son George Jr. (1906-1979) took the reins of the winery, which limped along until 1942, when it was purchased by the the Eastern wine enterprise L. N. Renault & Sons. Sadly, nothing at all remains of the Maltermoro estate. The site is now the Torrey Ridge apartment and town home complex.

By 1930, the widowed Mabel had managed to marry the wealthy Henry Clifford Fowler Stuart (1864-1952) and was living in the quiet Thousand Oaks neighborhood of Berkeley, California, about a mile north of the University. Henry was a retired railroad executive, mining engineer, real estate investor, and author. He had been director-general of the Guatemala Central Railroad, the U.S. Vice Consul General in Guatemala City 1885-86, and the U.S. Consul General in Guatemala City in 1893. Mabel had found her soulmate, it seems: Henry Stuart was as eccentric as she was. By the early 1940s, he had dropped his given names and was calling himself “Stuart X.” Despite the “X”, Stuart was nationally known and obituaries were printed in newspapers across the country when he died in 1952.  His obituary in the Oakland Tribune is worth printing in full:

Henry Clifford Fowler Stuart, aka Stuart X (1864-1952)

BERKELEY, May 23. Funeral services will be held tomorrow afternoon for Stuart X, historian, scholar and self-styled philosopher, who died at his home on Wednesday. The funeral is schedule for 1pm at the Chapel of the Flowers at Adeline Street and Ashby Avenue.

Mr. X, born in Brooklyn in 1864 and named Henry Clifford Fowler Stuart, left his own obituary. In it he said he dropped Fowler “as he grew strong enough,” Clifford because no one would use it, and Henry because there were too many “henerys” and annexed an X “to mark his unknownness.”

He prepared the obituary from an entry in the 1942-43 “Who’s Who in California” several years ago and had it printed on a small card. He distributed some of these cards to his friends at that time, but this unusual act, his widow [Mabel] said, caused no alarm because of his originality in other matters.

He described himself as “recorder of his now passing race” and also as a prophet, psychologist (long before the term became respectable), philosopher, philologist, economist, biologist, and individualist.

He stated he left school at 14, “escaping further education,” and “lost 30 years on the other people’s busyness.” He was author of two works, which he lamented, he “had to print and distribute himself.”

A son of California pioneers, he was a land agent for the construction of the Panama Canal and reorganized the bankrupt Salvador Railway Company.

His aspiration, according to his own obituary, was to avoid “in carne re-nating.”

At some point after Stuart X died, Mabel and George Jr. moved to Indiana, where George became a real estate broker. Mabel died in 1967 at the age of 85. In a final bizarre family twist, her son George Jr. died in 1979 when he accidentally shot himself in the leg and bled to death. Both Mabel and George Jr. are buried at Crown Hill Cemetery in Indianapolis.

The Universal Order

Cover of "The Universal Order"
Cover of “The Universal Order”

Friederika Quitman was born in 1844 at Monmouth, her family’s mansion in Natchez, Mississippi. She was the youngest daughter of General John A. Quitman and Eliza Turner Quitman, both of whom died when she was a teenager. She and her siblings inherited the estate, but it was attacked in 1862 by Union forces and the furnishings were sold or stolen. In 1863, at the age of 19, Frederika married Francis Eugene Ogden (1835-67), a Confederate officer; they had no children. Upon Francis’s early death at age 32 Friederika became ill, probably with clinical depression. She continued to live at Monmouth, until the mid-1870s when she relocated to Berkeley Springs, West Virginia. It was here she began keeping a diary, writing about nature, philosophy, great literary works, and her own illness. By the turn of the century her health had improved, and on New Year’s Day 1903 she married Austin Williams Smith (1843-1911), a widowed Confederate veteran and cousin of her first husband. They spent their final years at Smith’s Saragossa plantation near Natchez. Friederika died in 1911, four months after her husband.

Title page of "The Universal Order"
Title page of “The Universal Order”

Friederika did not publish her diary during her lifetime. It was her niece, Eva C. Lovell, who selected entries from her aunt’s journal (covering the years 1887-93) and arranged for publication with Paul Elder. Lovell also wrote the “Biographical Sketch” on pages ix-x, signed “E. C. L.” Following that is an Introduction by “H. L. J.”, identity unknown.

Page 3 of "The Universal Order"
Page 3 of “The Universal Order”

Elder published the book in brown paper over boards with gilt embossed printing on the cover, and matching dust jacket. The colophon does not identify the artist who designed the title page and chapter decorations.

Sonnets of Spinsterhood

Cover of "Sonnets of Spinsterhood"
Cover of “Sonnets of Spinsterhood”

In 1915, the poet Snow Langley was 36 years old and unmarried: a “spinster” in the thankfully now-obsolete parlance. Spinning wool was typically the job of unmarried women, and spinster was used in legal documents as early as the 1600s to denote an unmarried woman who was likely to stay that way. One might think, then, that a book entitled Sonnets of Spinsterhood would be full of bitterness about years of loneliness. However, a better indication of what lies ahead is in the subtitle: A Spinster’s Book of Dreams: Delicate Traceries of Dim Desires. Langley writes in her introduction:

These Sonnets need, perhaps, a word of explanation. In a recent reading of Elizabeth Barrett Browning’s Sonnets from the Portuguese, the conviction was borne in upon me that the sentiment of love is worthy of expression, whether or not it outwardly finds an object; “for the romantic passion” as a dream, an ideal or a memory is a source of inspiration in every human life. I have endeavored to make the sequence of sonnets show the ideal progress from the personal to the racial, from the love which seeks individual expression to the love for humanity.

Title page of "Sonnets of Spinsterhood"
Title page of “Sonnets of Spinsterhood”

The book is bound in lavender paper, highlighting the personal, feminine nature of the content. The beautiful decorations are by Audley B. Wells, whom Elder used in a number of his publications.

Nannie Snow Longley was born in Ohio in 1879. Her family moved to California some time after, and she graduated from Los Angeles High School in 1896, where she gave the valedictory address, a historical narrative entitled “The Ballad of Lady Mary.” She left the ranks of spinsterhood at the age of 49 when she married Grant S. Housh in 1928; they had no children. For many years she was an English teacher at Los Angeles High School, where one of her students was the future science-fiction writer Ray Bradbury; he credited her with instilling in him a love of poetry. She died in 1963 and is buried in the Hollywood Forever Cemetery in Los Angeles.

Introductory "Proem"
Introductory “Proem”
The first sonnet.
The first sonnet.
Page 14-15 of "Sonnets of Spinsterhood"
Page 14-15 of “Sonnets of Spinsterhood”
The last two sonnets.
The last two sonnets.

The Art of the Exposition

Cover of "Art of the Exposition"
Dust jacket of “Art of the Exposition.” Eugen Neuhaus’s name is spelled with pseudo-Latinate Vs instead of Us.

Eugen Neuhaus called his book The Art of the Exposition, but it might more accurately be titled The Art Critic Goes to the Fair. Neuhaus walks through the whole complex, giving us his impressions.

The following pages have grown out of many talks given during the year by Mr. Neuhaus to his students at the University of California. Presented to the public in the form of a series of evening lectures at the University, and repeated before many other organizations through California, his interpretation of the Art of the Exposition roused a demand for its repetition so widespread as only to be met by the aid of the printing press.

Frontispiece and title page of "Art of the Exposition"
Frontispiece and title page of “Art of the Exposition”

The book’s main sections are: Architecture, Sculpture, Color Scheme and the Landscape Gardening, Mural Decorations, and Illumination (i.e. lighting). While electricity was no longer a novelty, the PPIE’s buildings were elegantly lit at night with a huge number of electric lights:

The first half hour after the close of day, as enjoyed around the lagoon, with the Fine Arts Building in the background, reflected in the waters, will linger forever in the minds of all who are privileged to see it. Such blues I have seen only in pictures by Maxfield Parrish. Combined with the rich gold of the colonnade, they are almost supernatural. The whole effect, as relfected in the placid surface o the lagoon, occasionally broken here and there by a slowly moving waterfowl … is inspiring, and must awaken an aesthetic response in the soul of the most ordinary mortal.

Cover of "Art of the Exposition" (paper on boards)
Cover of “Art of the Exposition” (paper on boards)

The first four sections were covered in more detail, by other authors, in separate volumes from Elder: The Architecture & Landscape Gardening of the Exposition, and The Sculpture and Mural Decorations of the Exposition. Along with The Galleries of the Exposition, the four books make a nice set of identically bound PPIE books for your library.

Neuhaus saves his greatest disdain for the midway, or as it was called at the PPIE, “The Zone”:

[The Zone] is invaluable, however, as an object lesson in showing the fatal results of the utter disregard of all those fundamental laws of balance, harmony, and unity so uniformly and persistently applied through the seriously designed main body of the Exposition. There is no harmony whatever in the Zone anywhere, either in the form, style, or color, unless it be the harmony of ugliness which is carried through this riotous mêlée of flimsiness and sham.

Cover of "Art of the Exposition" (leather on boards)
Cover of “Art of the Exposition” (leather on boards)

Karl Eugen Neuhaus was born in Barmen (now Wuppertal), Germany on 18 September 1879. He studied at the Royal Art School in Kassel and the Berlin Royal Institute for Applied Arts, and came to San Francisco in 1904, where he setup a studio across the corridor from William Keith. After being burned out by the earthquake and fire in 1906, he lived in Monterey and helped found the Del Monte Art Gallery.

In 1908, Neuhaus became head of the Art department at University of California, Berkeley, a post he would hold for over forty years. At the PPIE he was Chairman of the Western Advisory Committee and was a member of the San Francisco Jury of the Department of Fine Arts; he exhibited six entries. He was a popular public speaker and wrote many books on art history. Neuhaus died in Berkeley, California on 29 October 1963.

This book, one of eleven published in 1915 by Elder on the PPIE, was very popular and went into a fourth printing (very unusual for an Elder). It was published in several bindings: beige paper on boards, buckram on boards, and leather on boards (see photos).

Cover of the Victor special issue, with a medallion of the Victor Palace at center
Cover of the Victor special issue, with a medallion of the Victor Palace at center

In addition, there was a special issue of Art of the Exposition from the Victor Talking Machine Company (famous for the dog Nipper and the slogan “His Master’s Voice”), consisting of a modified cover and a sixteen-page insert opposite page 1. The insert commemorates a meeting of the National Association of Talking Machine Jobbers and guests of the Victor Talking Machine Company, held on Saturday 24 July 1915 at the Victor Temple at the PPIE, then the next day at Muir Woods on Mt Tamalpais.

First page of the 16-page insert in the Victor special issue.
First page of the 16-page insert in the Victor special issue.

 

 

 

The Life of a Successful Banker

Cover of "The Life of a Successful Banker"
Cover of “The Life of a Successful Banker”

The Life of a Successful Banker (1905) is humorous short story, purporting to describe a young man’s journey from humble beginnings in North Carolina to become a “great financier” at the First Rational Bank in San Francisco. The author fancifully claims to have gone from the dry-goods business to the “wet-goods” business (alcohol) to the back door of a San Francisco bank on a dark and stormy night (the safe was already empty). My favorite bit is the author’s own proposed epitaph:

Hic jacet Sam, who we deplore / Thou art not dead, just gone before / Take not more than thy share of glory / For we come next — Memento Mori

The title page notes the author as “His Boswell,” a reference to James Boswell’s famous biography of Samuel Johnson. However, the author, as well as title character, is Samuel Green Murphy (1837-1926), the very successful President of the First National Bank at the corner of Bush & Sansome. He was born in North Carolina and served in the Confederate Army before coming to California.

Title page and frontispiece of "Life of a Successful Banker"
Title page and frontispiece of “Life of a Successful Banker”

The Life of a Successful Banker is perhaps the most memorable of all the vanity publications published by Elder at the Tomoye Press. Only fifty-five copies of this little book were produced, surely for private circulation amongst Murphy’s friends. At barely 700 words, the text would fill only two typed pages, but with a pleasing design on small paper and interspersed with amusing drawings by Spencer Wright, the work becomes a 32-page booklet. And what the book lacks in substance, it makes up for in intrigue of the Rich and Famous.

Several notable things happened to Samuel Murphy in 1905, the year this booklet was published. The first was a reconciliation with his daughter Adelaide (1882–ca. 1955), who had in July 1902 married against his wishes. Though her fiancé was rich—indeed, John Cabell Breckinridge (1879–1914) was the grandson of  John Cabell Breckinridge (US vice-president under Millard Fillmore) and son of John W. Breckinridge, the first President of Wells Fargo Bank—Samuel Murphy was vehemently opposed to Adelaide’s elopement and disowned her. The whole affair was front-page fodder for the local newspapers. “I had a daughter once,” he was quoted as saying. “If she is married, she is dead.”

Page 1 of "Life of a Successful Banker"
Page 1 of “Life of a Successful Banker”

Nor did the notoriety end there. Eight months later, while the newlyweds were in Paris, John fell from a second-story balcony of the Hotel d’Albe on the Champs Elysées. He was lucky to escape with only bruises, but that was just the beginning. Three months later, in May 1903, both Adelaide and John’s mother were petitioning the French courts for legal control of John (I suppose today we would say “medical power of attorney”) due to his incompetency. The courts upheld Adelaide’s claim, and John was placed in a sanitarium. The San Francisco newspapers duly reported on all the twists and turns of the Murphy clan. What they did not report during all the hubbub, but which would surely be reported today, was that Adelaide was six months pregnant with their son John Cabell Breckinridge, Jr., who was born on Aug 5th. 

In December 1905, Samuel Murphy received word that Adelaide herself was gravely ill. He decided then to lay aside his grievances and travel to France. “We had a misunderstanding once, but that is all over now,” he told the San Francisco Call. “I shall go to her if she needs me.” Happily, Adelaide recovered from her illness.

The Murphy Windmill: (left) shortly after construction in 1909, (center) derelict in 1999, (right) restored in 2014. Photo at right by Allie Caulfield.
The Murphy Windmill: (left) shortly after construction in 1908, (center) derelict in 1999, (right) restored in 2012. Photo at right by Allie Caulfield.

The other notable event in Samuel Murphy’s life in 1905 was his donation of $20,000 (more than $500,000 in today’s money) for the construction of a windmill in Golden Gate Park.

The creation of Golden Gate Park in the 1870s and 1880s from a long stretch of sand dunes was a tremendous feat of landscape design, but the new plantings required a great deal of water. In 1902, the San Francisco Park Commission authorized the construction of two windmills to pump groundwater for park irrigation, to avoid purchasing water at exorbitant costs from the Spring Valley Water Company. The windmills would be built on the western edge of the park, just off Ocean Beach, in order to take advantage of the winds that blow almost every afternoon. The Dutch Windmill was completed in 1903 and pumped 30,000 gallons per hour. The Murphy Windmill was completed in 1908 and pumped an additional 40,000 gallons per hour.

Page 7 of "Life of a Successful Banker"
Pages 6-7 of “Life of a Successful Banker”

The Murphy Windmill had an additional fifteen minutes of fame when it appeared in the 1915 Charlie Chaplin movie A Jitney Elopement. (You can watch the movie here; the windmill appears at 21:08.) Not long afterwards, electric pumps (which could pump when it wasn’t windy) made the windmills obsolete. They fell into disrepair, and probably spent more decades without their massive spars and sails than with them (this is how I remember the windmills; see the middle photograph above). Restoration work on the Murphy Windmill began in 2002 and was completed in 2012, and today the blades can often been seen turning in the wind.

How did the Murphy family turn out in the end? I’m glad you asked:

  • After the events of 1905, Samuel G. Murphy seems to disappear from the historical record. He died in Helena, Montana in 1926 at the age of 89.
  • Adelaide Murphy Breckinridge apparently spent the rest of her life abroad. She lived at least until 1955, when she is known to have sued her son John Brekinridge Jr. for support. It’s unknown how she ended up in financial straits, given that both her father and husband were very wealthy men.
  • John C. Breckinridge Sr. continued to show signs of mental illness, and was committed to an asylum in France. His marriage to Adelaide was annulled in 1914, and apparently John died soon afterwards.
  • John C. “Bunny” Breckinridge, Jr. (1903-1996), Adelaide and John Sr.’s son, had a remarkably colorful life. Educated at Eton and Oxford in England, he lived for many years in Paris before coming to the United States. He was openly gay in a time when it was rare to do so, and often performed onstage as a drag queen. He is known among film buffs for his one and only movie role, that of “The Ruler” in the 1959 cult favorite Plan 9 From Outer Space. (I am not making this up.) Shortly thereafter, he spent a year in prison on sex offences, but enjoyed a revival in popularity during the 1960s, in part for his knowledge of gay history.
Pages 28-29 of "Life of a Successful Banker"
Pages 28-29 of “Life of a Successful Banker”
Pages 30-31 of "Life of a Successful Banker"
Pages 30-31 of “Life of a Successful Banker”