Elizabethan Humours and the Comedy of Ben Jonson

Cover of "Elizabethan Humours"
Cover of “Elizabethan Humours,” with cover artwork by Henry R. Johnson

The introduction to Elizabethan Humours and the Comedy of Ben Jonson begins:

“The Stanford English Club issues this little book in connection with, and in commemoration of, the presentation of Jonson’s Every Man in his Humour at Stanford University in March, 1905.

“This is one of a series of presentations of old English plays in the Elizabethan manner, the first of which was the revival of Beaumont and Fletcher’s Knight of the Burning Pestle, in March, 1903. The enthusiastic reception accorded this effort encouraged the English Club to preserve the Elizabethan stage built for the play, so that it might be permanently available for such presentations, and to invite Mr. Ben Greet and his company of English players to come to Stanford in the fall semesters of both 1903 and 1904. the Greet company produced, beside the old Morality play of Everyman, two Shaksperean [sic] comedies, Twelfth Night and Much Ado About Nothing, and last of all, Hamlet–the second time in America that Shakspere’s greatest work has been produced in full and in the Elizabethan manner.”

Title page and frontispiece of "Elizabethan Humours"
Title page and frontispiece of “Elizabethan Humours”

The stage that the Stanford English Club built (see frontispiece at right) was modeled in part on the Swan Theatre as represented in a 1596 drawing reproduced in 1903’s Knight of the Burning Pestle. The stage extended directly to the “pit” where the “groundlings” (who had only paid for standing room) were gathered. The stage included a rear portion between two pillars, screened if necessary from downstage by a curtain called a “traverse,” and a upper balcony on the second floor.

After the introduction, the book contains several essays on Jonson and the Elizabethan era:

  • Elizabethan Humours, by Raymond Macdonald Alden (author of the Elder publication Consolatio)
  • Jonson’s Learned Sock, by Melville B. Anderson (1851-1933. Professor of English at Stanford University)
  • Upon Ben Jonson, a poem by Edmund Waller
  • Ben Jonson’s Prologue to Every Man in His Humour
  • Epilogue, written for the 1675 revival of Every Man in His Humour by Charles Sackville, Earl of Dorset
  • Dickens and His Friends, from The Life of Charles Dickens, vol. 2, chap. 9, by John Forster, 1845 (Charles Dickens played the part of Captain Bobadil [see plate below] during an 1845 revival)
  • reproductions of portraits of Jonson, Shakespeare, Richard Burbage, David Garrick, and Dickens
  • A Satire on a “Paul’s Man”, from Virgidemiarum, Book III, Satire 7, by Joseph Hall, 1597
  • A Satire on Humours, from The Scourge of Villainy, Satire XI, by John Marston, 1598
  • Ode to Jonson, by Robert Herrick
Page 6 of "Elizabethan Humours"
Page 6 of “Elizabethan Humours”

Ben Jonson wrote Every Man in His Humour in 1598 as a “humours comedy,” in which each major character is dominated by an overriding humour or obsession. The play was probably performed for the first time by the Lord Chamberlain’s Men in 1598 at the Curtain Theatre. Based on the playlist published in the 1616 folio of Jonson’s works, the part of Kno’well, the aged father, was almost certainly performed by William Shakespeare himself, who evidently enjoyed playing older characters.

"Bobadil," plate opposite page 6
“Bobadil,” plate opposite page 6

Poems

Cover of "Poems"
Cover of “Poems”

Paul Elder published a lot of poetry in his career: of the 420 titles on the checklist, at least sixty-one (15%) are poetry. Alas, not much of it is good poetry. (In this Paul Elder was not alone: I have a friend who collects “bad poetry” from across the Arts & Crafts period.)

Irene Hardy’s Poems (1902) is likely a vanity publication, a limited edition of 300 printed by Charles A. Murdock. (As we shall see below, half of the edition was lost in a fire.) The binding and paper are of good quality, and the typography is typical of the period: crisp typeface but a small font, leaving excessive white space around the edges of the page.

The author’s name is consistently printed as “Irenè Hardy”: note the odd placement of the grave accent, which in French would normally be over the first E, “Irène.” Hardy’s poem “With the Field-Lark” was the featured supplement in the June 1902 edition of Impressions Quarterly, where her name is spelled instead with an acute accent: Irené. My theory is that Hardy eccentrically pronounced her name Irené (ee-re-NAY) and wanted her name spelled that way, but that Murdock mistakenly printed it as Irenè. (Hardy was not French; she was born in Ohio.)

Title page of "Poems"
Title page of “Poems”

Although Hardy’s verses may no longer be remembered, since her 1922 death Stanford University has held an Irene Hardy Poetry Contest (now called the “Clarence Urmy-Irene Hardy Prize for Poetry”).

The following obituary of Irene Hardy is from The Stanford Illustrated Review, Volume 23, Issue 9, June 1922, p467. “A little book of her verse” refers to Poems.

Irene Hardy, a student at Stanford from 1892 to 1895 and a member of the english department faculty from 1894 to 1901, died June 4 at her home, 453 Melville Avenue, Palo Alto, following an attack of pneumonia. She was born in Yellow Springs, Ohio, eighty-one years ago [22 July 1841] and for the last fifteen years had been totally blind. In spite of her handicap, she continued to write, publishing verse in the “Sunset” and other periodicals. To the last she retained the admiration and devotion of her former pupils and associates, both of Stanford and the Oakland High School, where she taught for twelve years before coming to Stanford. She began teaching at 16 years of age and alter taught in Antioch, Iowa, Preparatory School. In 1861, the opening year of the Civil War, she entered Antioch College, of which Horace Mann was first president. Because of failing health, she came to California in 1871 and remained here until here death. Miss Hardy was widely known as a poet. A little book of her verse was published in 1902 in San Francisco. Half of the edition was later destroyed in a bookstore fire and the remaining volumes were taken up by students. Among the poems included in the volume are “Ole for Forefather’s Day,” “1887,” “Ariel and Caliban,” “A Wedding Day Gallop,” and “Palo Alto Hills.” Her work later appeared in “The Overland Monthly,” “Sunset” and other periodicals. She was a pioneer in the educational field in California and had a lasting influence on the teaching of composition and literature.

Pages 12-13 of "Poems"
Pages 12-13 of “Poems”

 

San Francisco Through Earthquake and Fire

Cover of "San Francisco Through Earthquake and Fire"
Cover of “San Francisco Through Earthquake and Fire”

One hundred and eleven years ago today, at 5:12 am local time, the great San Francisco earthquake struck. It lasted for 45 seconds, had an estimated magnitude of 7.8, and caused a great deal of damage, not only in San Francisco but up and down the California coast. In San Francisco, however, fire was greater evil. Several small fires, burning uncontrollably due to ruptured water mains, gradually merged, and over the course of three days destroyed about 80% of the city. Almost everything east of Van Ness Avenue was lost. San Francisco had suffered many fires in its history, but this was the Great Calamity, the dividing line between Old San Francisco and New San Francisco.

The earthquake and fire was one of the first large-scale disasters covered thoroughly by photographers, and a large number of books were rushed to print soon afterwards. Paul Elder published only two: The Vanished Ruin Era, and Charles Keeler’s San Francisco Through Earthquake and Fire (1906). Keeler writes in his usual florid style, including a moving dedication that dreams of a quick renaissance: “Hail, city of yesterday and tomorrow! I salute thee reborn, rejuvenated, casting the slough that unworthily envisaged thee, rising out of thy burned self to a more fair, more glorious realization of thy promise and thy destiny!” By 1909, the downtown area was mostly rebuilt, and Paul Elder had reopened a bookstore around the corner from his original location.

Title page of "San Francisco Through Earthquake and Fire"
Title page of “San Francisco Through Earthquake and Fire”

The book was published in brown wraps with an uncredited illustration of downtown San Francisco. The viewer is looking south on Kearny towards the intersection of Market Street. The Call Building (which survived, and is now called the Central Tower) is in white, at the corner of Market and Third.

The fold-out frontispiece showing the fire at its height
The fold-out frontispiece showing the fire at its height
Dedication
Dedication
Page 1
Page 1, “The Earthquake”
Plate X: The Old Palace Hotel succumbs to the fire
The Old Palace Hotel succumbs to the fire
Ruins of City Hall
Ruins of City Hall
Page 7
Page 7, “The First Day of the Fire”
Page 36
Page 36, “The Refugees”

Ruth Gordon (1933-2016)

Today I mark with sadness the passing of Ruth Gordon, from whom I learned most of what I know about Paul Elder. Ruth’s 1977 Ph.D. thesis, Paul Elder: Bookseller-Publisher (1897-1917): A Bay Area Reflection, from my alma mater of UC Berkeley, was never far from my side during my initial years of research. Indeed, I can reach over and pick it up from where I sit. To my lasting regret, we met only once, in January 2004 at the opening of my Paul Elder exhibition at the San Francisco Public Library. I am indebted to Ruth, for without her work, neither that exhibition nor this very website would have ever happened. May Ruth’s memory be a blessing.

Below I have included the obituary which appeared in today’s San Francisco Chronicle.

Ruth I. Gordon, teacher, librarian, writer, and fierce supporter of civil liberties, died at her home in Cloverdale, California on Monday, July 18, attended by her wife Viki Marugg and dear friend Linda Perkins. Ruth was a strong advocate of library services to children in schools and in the community, and was a valued colleague and mentor to librarians throughout the United States.

Ruth was born on May 13, 1933 in Chicago, the daughter of Samuel M. and Charlotte Gordon, and the sister to Robert B. Gordon, M.D. Her family moved to Forest Hills, Queens, New York where she attended grammar school at PS 144 and graduated from Forest Hills High School.

She received her A.B. from Tufts University, her M.A. from Brown University, her Masters of Library Science from University of California, Berkeley, and her PhD from Berkeley. Her research culminated in her thesis “Paul Elder: Bookseller-Publisher (1897-1917): A Bay Area Reflection.” She was very proud of her academic success, and was forever known as Dr. Ruth.

Her teaching career spanned from the Portola Valley (California) School District to the Aviano (Italy) Dependents School (USAF). Returning to California, Ruth pursued her graduate studies at Cal while she served as a lecturer and director of practicum at the University of San Francisco. During this time, she was a National Defense Education Act scholar.

Her library career brought her to serve students in rural areas of northern California: Lassen County, Cloverdale, and Petaluma. She served as a consultant for several library projects and as the managing editor of Critical Reviewing UnLtd.

She was concerned about each child with whom she worked. She knew that reading and libraries could be a place of refuge for those whose lives were chaotic and a gateway to the wider world for those whose geography or circumstances were limited. She had high standards, both for herself and for her colleagues and supervisors and would not be silent if she felt that library services were not fully supported.

Ruth held numerous positions within the American Library Association, the Association for Library Services to Children, the Notable Children’s Books committee, the John Newbery Award Committee, and the Association of Children’s Librarians of Northern California.

Her professional work and her association work were marked by her persistent advocacy for quality services for children. She was a strong proponent of the maxim “to comfort the afflicted and to afflict the comfortable” and her comments, both at the microphone and in print reflected this drive.

Her role in bringing the bigotry within the Boy Scouts of America to the forefront of America’s social conscience through the power of the library associations was her proudest achievement in many years of activism.

As an author and editor, she enjoyed great success with poetry and prose. Many of her books are standard titles for teen readers. Ruth enjoyed a collegial relationship with Charlotte Zolotow, her editor at HarperCollins and with the legendary publicist Bill Morris.

Ruth was an active hiker and loved exploring the areas around her homes in Cloverdale and the Sea Ranch. She was often seen with her camera around her neck, as she enjoyed photography. Once a season ticket holder, Ruth was a passionate but critical fan of the Oakland Athletics. Her home garden was a delight and guests were treated to meals with produce and fruits that came from the backyard. Often, they left Cloverdale with a bag of citrus from Ruth’s trees.

Ruth was predeceased by her parents, Samuel M. and Charlotte Gordon; and by her brother, Robert B. Gordon, M.D., and her sister-in-law Lois Gordon. Ruth is survived by her beloved wife Victoria Marugg, her nieces Janet Booth, Gail Kavaler, and Robin Strawbridge and five grandnieces and grandnephews. Ruth’s memories will be a comfort to her family and a blessing to those whose lives she touched over a 60 year career. – See more at legacy.com.

Errors of Thought

Title page of "Errors of Thought"
Title page of “Errors of Thought”

This book is surely the strangest that Paul Elder ever published. It is the antithesis of the attractive, well-printed, easily-read giftable volume that was the Elder specialty. Without a doubt a vanity publication, Errors of Thought in Science, Religion and Social Life (1911) is a long, rambling, incoherent screed on education, science, history, religion, and politics. It’s also poorly typeset, printed on coated stock, and published without a stiff binding. Two states have been seen, the second including an errata page which is just as incomprehensible as the main text. Indeed, it is difficult to understand why Paul Elder was willing to put his name on this bizarre book. And who was the author, identified only as “St. George”?

The story of St. George begins with George Hugo Malter (1852-1927) who immigrated to the United States from Silesia (then in Germany, now part of Poland) in 1866. Malter made his way to California and became a mining engineer, but by 1879 he had abandoned engineering to become a grape grower and winemaker. He proved a successful vintner, and by 1900 Malter owned one of the largest vineyards in California at over 2000 acres. He was a member of the Bohemian Club and the owner of the Emerald, a well-known yacht. The village around his home base in Fresno County was named Maltermoro (today a residential neighborhood of Fresno known as Sunnyside).

The Maltermoro manor house (courtesy Fresno Public Library)

The winery’s main brand was called “St. George,” and it specialized in aperitif and dessert wines: Pale Dry Sherry, Dry Sherry, Sherry, and Mellow Sherry; Ruby Port and Tawny Port; Golden Muscat and Muscatel; Madeira and Grenache; Tokay, White Port, and Angelica.

In 1904, Malter married Mabel Pearl Richardson (1882-1967), a San Francisco native. He was 52, she was 22; it was the first marriage for both of them. It is the 29-year-old Mabel who is the author of our book, taking her pseudonym from the winery’s flagship product. In 1914, Mabel wrote another eccentric book, The World Process, this time self-published by the “St. George Publishing Company.”

The St. George Vineyard at Maltermoro (courtesy Fresno Public Library)

The draconian restrictions of Prohibition took a huge toll on the St. George winery. By the time George Malter died in 1927, all that was left was a small acreage and the manor house. Their son George Jr. (1906-1979) took the reins of the winery, which limped along until 1942, when it was purchased by the the Eastern wine enterprise L. N. Renault & Sons. Sadly, nothing at all remains of the Maltermoro estate. The site is now the Torrey Ridge apartment and town home complex.

By 1930, the widowed Mabel had managed to marry the wealthy Henry Clifford Fowler Stuart (1864-1952) and was living in the quiet Thousand Oaks neighborhood of Berkeley, California, about a mile north of the University. Henry was a retired railroad executive, mining engineer, real estate investor, and author. He had been director-general of the Guatemala Central Railroad, the U.S. Vice Consul General in Guatemala City 1885-86, and the U.S. Consul General in Guatemala City in 1893. Mabel had found her soulmate, it seems: Henry Stuart was as eccentric as she was. By the early 1940s, he had dropped his given names and was calling himself “Stuart X.” Despite the “X”, Stuart was nationally known and obituaries were printed in newspapers across the country when he died in 1952.  His obituary in the Oakland Tribune is worth printing in full:

Henry Clifford Fowler Stuart, aka Stuart X (1864-1952)

BERKELEY, May 23. Funeral services will be held tomorrow afternoon for Stuart X, historian, scholar and self-styled philosopher, who died at his home on Wednesday. The funeral is schedule for 1pm at the Chapel of the Flowers at Adeline Street and Ashby Avenue.

Mr. X, born in Brooklyn in 1864 and named Henry Clifford Fowler Stuart, left his own obituary. In it he said he dropped Fowler “as he grew strong enough,” Clifford because no one would use it, and Henry because there were too many “henerys” and annexed an X “to mark his unknownness.”

He prepared the obituary from an entry in the 1942-43 “Who’s Who in California” several years ago and had it printed on a small card. He distributed some of these cards to his friends at that time, but this unusual act, his widow [Mabel] said, caused no alarm because of his originality in other matters.

He described himself as “recorder of his now passing race” and also as a prophet, psychologist (long before the term became respectable), philosopher, philologist, economist, biologist, and individualist.

He stated he left school at 14, “escaping further education,” and “lost 30 years on the other people’s busyness.” He was author of two works, which he lamented, he “had to print and distribute himself.”

A son of California pioneers, he was a land agent for the construction of the Panama Canal and reorganized the bankrupt Salvador Railway Company.

His aspiration, according to his own obituary, was to avoid “in carne re-nating.”

At some point after Stuart X died, Mabel and George Jr. moved to Indiana, where George became a real estate broker. Mabel died in 1967 at the age of 85. In a final bizarre family twist, her son George Jr. died in 1979 when he accidentally shot himself in the leg and bled to death. Both Mabel and George Jr. are buried at Crown Hill Cemetery in Indianapolis.