Spotlight – Paul Elder & Company

Islanded

1 October 202430 September 2024 by david

In early 1934, a monthly literary magazine called Dune Forum appeared out of Oceano, a tiny, unincorporated seaside community in San Luis Obispo County, California. Oceano had hitherto been known as the home of a utopian Theosophical religious community called Halcyon, founded in 1903. Dune Forum was sold at a select few of California’s literary hotspots, including Paul Elder’s bookstore, UC Berkeley and Stanford University, and bookstores in Santa Cruz, Carmel, Ojai, Santa Barbara, and Los Angeles. The magazine only lasted seven issues, but included contributions from such notables as poet Robin Lampson, musician John Cage, and poet John Varian of the Halcyon community.

The February 1934 issue of Dune Forum contained this note in a section called “Northern Lights:”

San Francisco never ceases to delight us. As this magazine is printed there, we have to attend its monthly rebirth, and each time we journey thither, further proofs of its fascination crowd in upon us, each with a new surprise. This trip is already full of memories. Mrs. Maflo [Mary Florence] Ryan gave a benefit reception for young Dwight Strickland, a cynical poet in the contemporary stream of defeatism, yet curiously remindful of the mauve decade. His book of verse, “Islanded” has recently been brought out by Paul Elder, and for much of its contents, is worthy of your attention. Better still if you could hear him recite his Swinburnianly modernistic lyrics. A born showman, this Strickland never misses a chance to flabbergast or charm, or otherwise capture the attention of his audience.¹

Frontispiece and title page of “Islanded”

That same week, the Mill Valley Record reported:

Dwight Strickland, the young California poet whose work is earnestly noted by bay region people, is soon to tour the south, where he will appear before distinguished clubs in dramatic presentation of his latest volume of verse “Islanded.” He is to be the guest of and entertainer for the Chelsea Circle in San Francisco tomorrow night. Mr. Strickland expresses himself in highly colorful imagery and distinctive rhythms. In these two qualities, the mantel of Vachel Lindsay seems to have fallen upon him. Lindsay pioneered in a new style which won great acceptance. Strickland is receiving complimentary support from the press. A limited number of autographed copies of his work may be had at Paul Elder’s.²

Presumed standard binding of “Islanded,” with silver paper over boards, title and author name stamped in black.

And in April, the Los Angeles Times noted:

From San Francisco comes young Dwight Strickland, whose volume of verse, “Islanded,” has been issued by Paul Elder. Mr. Strickland believes in the importance of reading verse aloud, and he follows Vachel Lindsay in this faith. But, unlike the midwestern poet, he reads from the work of other poets as well as from his own.³

Islanded was issued in at least three bindings: silver paper on boards with title and name stamped in black, cloth on boards without stamped title, and, most unusually, copper foil over boards with gold-stamped title and author—the only such binding that Paul Elder & Company ever issued. The poetry inside is often printed with the avant-garde typography pioneered by E. E. Cummings in the 1920s, and one imagines that our born showman’s reading style attempted to convey that typography to his listeners.

Alternate cover of “Islanded,” with orange and black cloth over boards, but with no words stamped on the cover.

Due to financial difficulties, Paul Elder retired from publishing in 1918. At rare intervals afterwards, he issued an occasional title: three in the 1920s, and six in the 1930s. Presumably they were all vanity publications, but few records survive so it is difficult to be certain. When Islanded was published in 1933, it was the middle of the Great Depression, and Paul Elder still had money problems behind the scenes, so it’s hard to imagine Elder fronting the costs for this book, especially with the multiple cover designs.

Dwight Jensen Strickland was born in Niles, Michigan on 18 June 1907, the third of four children of the Rev. Arthur Strickland and Carolyn Jensen. Little is known about him aside from what can be pieced together by public documents. The family moved often, and as a boy Dwight also lived in Indiana, Rhode Island, and New Jersey. After his poetry reading tour in 1934, he moved to New York City, but in 1940 was living with his father in Philadelphia. In 1946, he married Louise I. Wetherby (1909-64) in California. Dwight Strickland died on 22 August 1963 in Los Angeles at the age of 56, and is buried alongside Louise at Forest Lawn Memorial Park in Glendale, California.

Pages 8-9 “Islanded,” with the final stanzas of the title poem “Islanded” at left, and distinctive typography.

Signed limitation page, and table of contents

1
Dune Forum, vol. 1, no. 2, 15 Feb 1934, p56.
2
Mill Valley Record, Volume XXXV, Number 51, 9 February 1934
3
Los Angeles Times, 8 Apr 1934

Matins and Vespers

20 September 202417 September 2024 by david

Matins and Vespers is one of the rarest Elder titles, both because of its ephemeral nature and the notoriety of its author. Violet M. Firth (1890-1946) was a prominent British author, psychologist, teacher, artist, occultist, and mystic. However, she is known primarily by her pseudonym Dion Fortune, inspired by her family motto Deo non fortuna (Latin for “by God, not fate”), originally the ancient motto of the Barons and Earls Digby. She was a prolific writer of the supernatural and the occult in both novels and non-fiction works. According to Wikipedia, Fortune “is recognised as one of the most significant occultists and ceremonial magicians of the early 20th century. The Fraternity she founded survived her and in later decades spawned a variety of related groups based upon her teachings. Her novels in particular proved an influence on later occult and modern Pagan groups such as Wicca.”

Violet Mary Firth, circa 1915? — Violet Mary Firth as a teenager, c. 1905

The text consists of four poems: Morning Hymn, Morning Prayer, Evening Hymn, and Evening Prayer. The cover recto includes a quote from Robert Louis Stevenson, and the verso a quote from Sir Edwin Arnold. Firth’s name only appears in the colophon.

Matins and Vespers, written and published while Fortune was still known as Violet Firth, is a small pamphlet, composed of four sheets folded once and tied with string, making a quire of eight folios. The compositing is by John Henry Nash, and I can think of no greater example of his widely admired skill with the precise perpendicular lines known as mitred rules: in three colors, no less. The actual printing would have been farmed out to a local press shop, despite the colophon reading “printed for them by their Tomoyé Press, at their Shop in the City of San Francisco, which lieth at the Gateway to the Golden West.” Whereas similar unbound Elder titles were almost always issued with matching envelopes (e.g. Charity), Matins and Vespers appears to have been issued with a matching cover consisting of a simple, loose, folded sheet printed on the front.

Violet Mary Firth was born in 1890 to wealthy English family in Llandudno, Wales, where her father ran a hydrotherapy (then called hydropathy) clinic. As a teenager, she lived in the southwest of England, and later studied at the University of London. During World War I, she was a part of the Women’s Land Army, an organization designed to employ women in agriculture in order to replace the men who were fighting in France. For details on Dion Fortune’s extensive career in the occult, I refer the reader to her Wikipedia page. Fortune died of leukemia in 1946 in Middlesex, London, at the age of 55, and is buried at St. John’s Church, Glastonbury.

The Little Brown Hen Hears the Song of the Nightingale

3 August 202015 July 2020 by david

This slender volume gets my vote for the gentlest, loveliest title in the Paul Elder catalog. The Little Brown Hen Hears the Song of the Nightingale (1908) was written by Jasmine Van Dresser and illustrated by her husband William. The book contains two short bedtime stories for children: the title tale and “The Little Apple Tree Bears a Golden Harvest.”

“The Little Brown Hen Hears the Song of the Nightingale” is the story of an ornery goose and a gentle hen; the moral is “it isn’t always those with the loudest voices that have the best things to say.” The second tale teaches how Nature is interconnected, and how good things come to those who wait. William Van Dresser’s illustrations are very nice indeed, and he also supplied a custom decorated border for each story. His frontispiece is a mystery: a woman stands in the moonlight, holding out her cupped hands; this scene does not appear in either story. There is a brief introduction by Margaret Beecher White, noting that “it is the duty of all good, useful stories to give a message to their readers,” and that “the two dainty stories contained in this little volume each carries its message of truth.”

Title page and frontispiece of “Little Brown Hen”

Jasmine Edson Stone was born in 1875 in St. Louis, Missouri. She graduated from Randolph-Macon Woman’s College in Lynchburg, Virginia and was working as an actress in New York City when she met her future husband. By 1915, the Van Dressers, along with their sons Cleland and Peter, became well-known actors in New York City, most notably performing everyday dramatic scenes of an American family for soldiers at nearby military bases. Jasmine wrote the screenplays, noting there was nothing more dramatic than the life of parents dealing with the needs of children. She was a member of the Authors Guild (then called the Authors League of America) and wrote many children’s books in her career, with such titles as Jimsey, The Wonderful Hammer, The Story of Silky, The Kitty With the Black Nose, and The Little Pink Pig and the Big Road. Jasmine and William spent their final years in Boca Raton, Florida. She died in 1948, and is buried in Solebury, Pennsylvania.

William Thatcher Van Dresser was born in 1871 in Memphis, Tennessee. He was a talented athlete, and spent four years as a semi-pro baseball player, mostly in the Southern Association and Texas League. When his team folded in 1896, he headed north to pursue a career in art. By 1900, he was living in on Fifth Avenue in Manhattan. In 1903 he and Jasmine were married; Cleland was born in 1904, and Peter in 1908. William’s reputation as a commercial artist was growing, and he was a popular artist for magazine covers. He also began illustrating books, including today’s spotlight and the Jack London novel The Little Lady of the Big House. Later he was commissioned to paint portraits of Presidents Calvin Coolidge and Franklin Roosevelt. William died in 1950, and is buried in Tampa, Florida.

Title page for the “Little Brown Hen” story

Margaret Humphrey Beecher White (1868-1948) was an author on Christian Science topics. She was granddaughter of the prominent minister Rev. Henry Ward Beecher, and grand-niece of Harriet Beecher Stowe, author of Uncle Tom’s Cabin.

Thanks very much to Kris Rutherford for historical information on the Van Dressers.

Sources:
“William Van Dresser’s Sketchy Side,” by Kris Rutherford, 12 July 2016
Jasmine Van Dresser burial site
William Van Dresser burial site

Decorative border for “Little Brown Hen”

Title page for “Little Apple Tree” story

Decorative border for “Little Apple Tree”

Vest Pocket Helps

21 July 20208 June 2020 by david

Cover of “Supremacy of God’s Law,” along with a quarter for scale.

Vest Pocket Helps (1913) win the contest for the smallest known Paul Elder “books.” At 2½ x 3½ inches and only ten or twelve pages of text, they’re each a very slim piece. But then, that’s why they’re called Vest Pocket Helps: so that they will easily fit into your vest pocket. Back in the era when daily attire (at least, a man’s daily attire) always included a vest pocket, it was a self-explanatory title.

Each book contains several short passages on Christian themes. The books credit no author, but the copyright page indicates that “these pages have been compiled from random readings.” The compiler was presumably not Paul Elder (who would surely have credited himself, as he did on earlier publications, such as Mosaic Essays), but more likely one of Elder’s favorite compilers of religion-themed books, such as Agness Greene Foster.

There were eight titles in the series, conveniently listed on the copyright page. The books were sold for 10¢ each, or 80¢ for the set of eight “gathered and tied with linen tape.”

The series was incorrectly titled Vest Pocket Tracts in the printed editions of the checklist.

How To Fly

6 January 20236 May 2020 by david

A young heiress! A suave French pilot! Intrigue! Romance! Plot twists! But wait, didn’t you say that title of this book was How To Fly? Yes I did, and I hope you’ll find this one of the most exciting stories on this website.

How To Fly (1917), by Captain D. Gordon E. Re Vley, is an introductory treatise on how to fly an airplane, written in those heady early days of powered flight, just fourteen years after the Wright Brothers’ inaugural flight at Kitty Hawk. In 1917, World War I was still raging in Europe, and famous fighter aces such as Eddie Rickenbacker and “Red Baron” Manfred von Richthofen engaged in dogfights over Belgium and France. Pilots in the early days of flight had much the same acclaim and allure as astronauts did in the early days of the Space Age.

How To Fly is a small book with flexible covers, fitting easily into a shirt pocket. Re Vley surely did not intend for his book to be a pilot’s sole source of instruction; perhaps he thought publishing the book would gain him a clientele of wealthy students? Early aviation manuals such as this are in demand by collectors, and so a copy of How To Fly can be hard to find.

Enough about the book! What about the intrigue and the young heiress?! In September 1918, Captain Re Vley met 22-year-old Adele Dorothy Callaghan. On her mother’s side, Adele was part of an important Italian-American family in San Francisco. Her aunt Adelina was married to Egisto Palmieri, the first Italian-American state senator in California. Another aunt, Erminia, was married to Ettore Patrizi, publisher of L’Italia, the largest Italian-language newspaper in the western United States. And her grandmother, Annie Cuneo, was the first woman in the United States to serve on the Board of Directors of a major bank.

Re Vley also had an interesting background. Born in France but raised in England, he became a pilot and rose to the rank of Captain in the British Aviation Corps. He went to California on furlough, and was engaged in experimental aviation work for the US Government. Between his investments and his service pay he was quite well off, and had recently started an airplane manufacturing company.

Captain D. Gordon E. Re Vley, on the frontispiece of “How To Fly”

On 10 October 1918, Re Vley and Callaghan eloped, and were married in Hollister, California. After the wedding, they toured several grand houses in San Mateo, and after Adele indicated the one she liked best, Re Vley purchased it. In the meantime, they secured a flat in the Marble Crest Apartments at 845 Bush St. in San Francisco.

And then one fateful day in early January 1919, Re Vley went out for a walk. While he was out, Adele “thought it would be perfectly lovely,” as she later explained to a judge, “to examine her husband’s luggage and have a peek at some of the strange things that men carry about with them.” What she found in his suitcase shocked her to the core: her husband was not French, he was Russian. His name was not Re Vley, it was Edelman. No, he never was a member of the British Aviation Corps, he wasn’t rich, he didn’t own an airplane manufacturing business, and he hadn’t bought her that mansion in San Mateo. And worst of all, in August 1917, her husband had been arrested for luring a sixteen-year-old girl to his apartment and assaulting her, for which he was tried and convicted, and spent nine months in San Quentin prison. Everything he had told her was a lie.

One can only imagine the scene when “Captain” Re Vley/Edelman returned from his stroll. When the shouting was over, Adele left her husband and sued for annulment, which was granted on 2 April. As you can see in the images below, the local papers delighted in reporting the saga. The day following the annulment, the Oakland Tribune quoted Adele as saying “When a terribly handsome French aviator comes a-wooing, and telling fairy stories, count ten before eloping with him.” What a shame that Adele hadn’t read the San Francisco Examiner article on 20 September 1917—a year and a half earlier—when Re Vley (“also known as Captain Edelman”) had been outed as an impostor by the British Consul General and arrested for assault.

By January 1920, eight months later, Adele Callaghan had married Arthur Cornelius Crowley (1895-1941), and this marriage stuck. Adele outlived her second husband by forty-eight years, passing away in June 1989 at the age of 93. Adele and Arthur are buried in the Palmieri family crypt at the Italian Cemetery in Colma.

After the annulment, Re Vley/Edelman vanishes from history. Who knows what other unsuspecting damsels may have been entrapped by “the dashing young officer”?

Update, 18 Nov 2022: I have discovered what happened to our dashing young officer. He remained in San Francisco, and on 4 March 1921 he married Ivy Gertrude Heath. On the marriage license, his name is listed as David Gordon Edmund Revley, born in New York City circa 1895, the son of Jean Revley and Claire Selekoff. (Of course, it’s hard to know how much of this is accurate, given Revley’s known penchant for lying.) Seven years later, on 18 August 1928, he marries his third wife, Alverda Giltner. In the 1930 census, David and Alverda are living on O’Farrell St. in San Francisco. The final record for David Revley is his death on 19 December 1932, at the age of 37.