Christmasse Tyde

Cover of "Christmasse Tyde" with special gift ribbon and greeting card attached
Cover of “Christmasse Tyde” with special gift ribbon and greeting card attached

Paul Elder had a genuine predilection for collections of quotations. Perhaps they sold well, and no doubt Elder wanted to distinguish the Tomoye Press with original works. (To be sure, Paul Elder & Company sold traditional literature as well—all the great works from Shakespeare on down, including contemporary authors—but those were from other publishing houses. Elder, in general, did not publish works that had been previously published elsewhere.)

Jennie Day Haines authored six collections of quotations for Elder. She was born Jennie Elizabeth Day in New York on 26 May 1853 and was an honor student at the Normal College of New York in 1871. She married William Pitt Haines in 1873, and later lived in New Rochelle, New York and to Derby, Connecticut.

Christmasse Tyde title frontis
Frontispiece and title page of “Christmasse Tyde”. Artwork by Gordon Ross.

The printer at the Tomoye Press was John Henry Nash. He was a master at the mitred rule: the straight line with the end cut at a 45° angle, so that perpendicular rules would fit together precisely. Look at the complicated gridwork of mitred rules on the title page: fitting the corners is the hardest part, and Nash made it look easy.

Special gift box for "Christmasse Tyde"
Special gift box for “Christmasse Tyde”

The weakest part of Christmasse Tyde is the typography. The text type is called Washington Text—ironic, because the typeface is only suitable as a display type. Paul Elder must have loved it, however, because it often appears in his publications during the first decade of the 1900s. I don’t know the name of the uncial typeface used in the title page and headers, but its readability is even worse than Washington Text. Still, Nash’s exacting rule grid make the page pleasant to look at.

Special gift box with "doors" opened to reveal the book within
Special gift box with “doors” opened to reveal the book within

“Merrie Christmasse Tyde” and “Happie New Yeare” to all from

page 84-85 of "Christmasse Tyde". Note the copious use of mitred rules enclosing the header and text
page 84-85 of “Christmasse Tyde”. Note the copious use of mitred rules enclosing the header and text


What Is a Kindergarten?

Wraparound cover art for “What is a Kindergarten?”

The kindergarten (literally “children’s garden”) movement began in 1837 when Friedrich Fröbel founded a play and activity institute in the Bavarian town of Bad Blankenburg. His idea was to create a social transition for children between home and school, and that they should be nourished like plants in a garden. Fröbel’s ideas soon began to spread around Europe and then to America, where the first kindergarten opened in Boston in 1860 and the first public kindergarten in St Louis in 1873.

Title page of “What is a Kindergarten?”

In his 1901 book What Is a Kindergarten?, published by Elder & Shepard, landscape architect George Hansen takes the German word literally: he advocates physically putting the children in a garden. For Hansen there is room enough to do this: “The broad acres of our United States yet comparatively undivided … and [few] are too costly to furnish the ground upon which our kindergartens shall be founded.” Instead of “the basements of our school buildings,” Hansen wants the children out in the open:

We compare a man to an oak, a woman to a birch, a girl to a lily, a boy to a weed. This surely has foundation in reason. … Remember, every child in your charge is an Edison, every tot a Columbus, and the idealizing disposition of all of them sees a Garden of Eden in a vacant lot. I insist upon mere association of plants and children.

To bring home his point, Hansen included nine plates (see example below) of how to include garden areas on school grounds of different sizes and shapes. “If a glance at the series of plates  gives the impression that every one of them might as well be the appointment of an area surrounding a private home as that of a kindergarten, their objects are served.” If Hansen were alive today, he would be joining Chez Panisse’s Alice Waters in evangelizing the Edible Schoolyard Project.

What is a Kindergarten p12
Page 12-13 of “What is a Kindergarten”

George Hansen (1863-1908) was born in Hildesheim, Germany. His grandfather, Rev. J. G. K. Oberdieck was a famous pomologist (the study of fruit) and was rewarded by the Prussian government with a guaranteed spot at the university for whichever of his grandchildren took a delight in horticulture. George was selected and attended the Royal College of Pomology in Potsdam. In 1885 he moved to England and worked for F. Sander & Company in their orchid house, and was elected a Fellow of the Royal Horticultural Society.

What is a Kindergarten p72
Page 72 and Plate I of “What is a Kindergarten?”

Hansen came to America in 1887 and became foreman of the University of California Foothill Experiment Station in Jackson (Amador County). He became a distributor of exsiccatae, or specimens, of the Sierra Nevada flora, and wrote a book about it called Where the Big Trees Grow (1894). It was also in this year that Hansen completed his magnum opus, for which he is still best known, The Orchid Hybrids.

In 1896 Hansen suffered a spinal injury which made walking extremely painful. He moved to the Scenic Tract in Berkeley, on the north side of the University of California campus, and for the next twelve years scarcely left the confines of his house and garden. But during those twelve years he published What Is a Kindergarten? and continued to sell his botanical books and specimens. In 1902 Elder & Shepard also published five keepsakes called the Baby Roland Booklets, a photographic essay of his young son Roland.

George Hansen died at his home in Berkeley on 1 March 1908, from complications of his spinal injury. He was only 45 years old.