Laurel Hill

Laurel Hill cover
Cover of “Laurel Hill”

Yesterday’s San Francisco Chronicle ran an article about 19th-century tombstones turning up on Ocean Beach. Passers-by were puzzled, if not uneasy. “Why are there tombstones on the beach?” they asked. Perhaps they also stopped to say “Now that I think about it, why are there no cemeteries in San Francisco?” The answer is: there used to be, but not any more. Of San Francisco’s 27 historical cemeteries, only two (Mission Delores, and The Presidio) remain: the rest are now in Colma. The long, slow process began in 1900, when the City passed an ordinance forbidding new burials in San Francisco, and completed in the early 1940s, when the last graves at Laurel Hill Cemetery were transferred to Colma.

LaurelHill LoneMountain c1890
Laurel Hill Cemetery c1890, with Lone Mountain in the background

The reasons behind the move were many. Many people didn’t want to live next to a graveyard; others felt land values were lower near cemeteries. Developers wanted the land for residential and commercial use. Still others felt that cemeteries posed a health risk. Opposing the removals were religious groups—primarily the Catholic Church—and preservationists, who noted the long list of San Francisco pioneers buried there.

RichmondDist LaurelHill 1938
The Richmond District in 1938. Laurel Hill Cemetery is at center left. Removal of the burials has just recently begun.

Although the city of San Francisco paid for moving the coffins, the families had to pay the cost of moving the headstones and monuments. Many if not most could not afford this, so the city took the stones and used them in very unromantic places: some as paving materials for gutters lining the walks of Buena Vista Park, others for Ocean Beach and the breakwater near the St. Francis Yacht Club. Particularly saddening was the loss of the large crypts and Egyptian-style monuments, most of which were unceremoniously dumped into San Francisco Bay.

In 1937, Paul Elder published a pamphlet called Laurel Hill. It was part of the last gasp of resistance from those who opposed the move. The text begins with an unsigned article entitled “Laurel Hill: Esto Perpetua! Have Not Our Pioneers Their Rights?”

We are in receipt of communications, from time to time, from a group that seems bent upon the destruction of Laurel Hill Memorial Park, wherein emphasis is placed on the statement that no real estate considerations are prompting the attempt. It is good to hear this, but difficult, assuming the fact is so, to understand what other motives are prompting the drive to destroy one of our most cherished historical landmarks. It is possible that San Franciscans of the present generation include some who object to honoring our pioneer dead?Does the presence in our midst of cemetery reminders of mortality irk certain persons who feel the life current pulsing warmly?

Next is “An Open Letter to the Board of Supervisors, from “An Old Timer”

We feel that the final passage of an ordinance directing the transfer somewhere beyond the county line of the venerated dust of the makers of our history is quite too brutal in its finality … Unlike the western reaches of this burial ground, the eastern part that confronts the passerby on Presidio Avenue is beautiful, it is lovingly tended, it is the Stoke Pogis of San Francisco, and its tombs bear names that explain why San Francisco became a great city. Gentlemen, you must know—because you have had every opportunity of knowing—how many of our United  States Senators, how many of our Governors, how many of those others who made our beloved city, lie at rest in those few acres—in the fine old phrase, in God’s acre.

Laurel Hill Bourne monument
The William B. Bourne monument at Laurel Hill

After several more unsigned articles, the text concludes with twelve pages of names copied from headstones and monuments at Laurel Hill. The list is by no means complete, since over 47,000 people are known to have been buried there. Only this section of the pamphlet has page numbers, and the numbers begin at “65”, suggesting that this pamphlet is an excerpt of a longer work.

Later in 1937, the Catholic Church removed its opposition to the removal of Laurel Hill’s Catholic section, and the cemetery’s fate was sealed. The last graves were moved in the early 1940s.

Laurel Hill inscriptions
List of some of the burials at Laurel Hill

Songs of Content

Songs of Content 1st ed cover
Cover of the 1903 first edition of "Songs of Content"

In April 1903, Ralph Erwin Gibbs was at his desk in his study when he heard a loud crack: a tree was falling over in his yard. Knowing his pet dog was out in the yard, he rushed outside to save it, but was himself killed by the falling tree. He was just 27 years old.

Gibbs earned bachelor’s and master’s degrees in science at the University of California, Berkeley but became more interested in literature and poetry, and soon turned to writing full-time. In 1900 he became an assistant at the University Library and in the English department, where he became a protege of Charles Mills Gayley (1858-1932), professor of Classics and English. After Gibbs’s death, Gayley received the family’s permission to gather up  the manuscripts and publish them. He also wrote a moving introduction to both Gibbs and his poetry.

Ralph Erwin Gibbs
Ralph Erwin Gibbs (1876-1903)

The book was republished in 1911 with the identical text but higher quality binding and imported laid paper.

Songs of Content 1st ed title
Title page of 1st edition "Songs of Content"
Songs of Content 2nd ed cover
Cover of the 1911 second edition of "Songs of Content"
Songs of Content 2nd ed title
Title page of 2nd edition "Songs of Content"

West Winds

West Winds cover
Cover of “West Winds”, brown paper on boards. The logo of the California Writers Club appears on the spine.

The California Writer’s Club was founded in 1909 by a breakaway faction of the Press Club of Alameda, which had itself formed from various informal gatherings of Bay Area literati, including Jack London, George Sterling and Herman Whitaker. Their first publication, a compilation of fifteen short stories entitled West Winds, appeared in 1914. Its subtitle was California’s Book of Fiction – Written by California Authors and Illustrated by California Artists. The book’s western theme dovetailed with publisher Paul Elder’s own mission statement: he had styled himself “A Western Publisher” since 1904.

Contributors to West Winds included London, Whitaker, Charles F. Lummis, Agnes Morley Cleaveland (whose 1941 memoir No Life For a Lady is still in print) and Harriet Holmes Haslett (author of the 1917 Elder publication Dolores of the Sierra). Featured artists included Maynard Dixon and Perham Nahl (one of the three original teachers at the California College of the Arts). Noted photographer Anne Brigman designed the title page decoration.

Cover of "West Winds", green cloth
Cover of “West Winds”, green cloth over boards

The California Writer’s Club still exists today and has eighteen chapters and 1300 members across the state. Three subsequent West Winds compilations appeared over the years, though none of those was published by Elder.

Two cover variants have been seen: 1) brown paper over boards, with the California Writers Club logo appearing on the spine of the book and dustjacket, and 2) green cloth over boards, without the logo on the book’s spine.

West Winds title
Title page of “West Winds”, with frontispiece by Perham Nahl and decoration by Anne Brigman
West Winds p115 London
First page of Jack London’s story “The Son of the Wolf”
West Winds p120 Dixon
Maynard Dixon’s illustration for Jack London’s story “The Son of the Wolf”

Sunday Symphonies and Easter Greetings

Sunday Symphonies Easter gift cover
Easter gift cover for "Sunday Symphonies"

Happy Easter from paulelder.org!

In 1906 Paul Elder published Jennie Day Haines’s Sunday Symphonies, a compilation of quotations for every Sunday of the year. Haines wrote five other compilations for Elder, including Weather Opinions and Ye Gardeyne Boke.

This particular exemplar of Sunday Symphonies came in a special gift box for Easter 1908, complete with a purple ribbon and attached gift card.

Sunday Symphonies box
"Sunday Symphonies" gift box
Sunday Symphonies cover
Cover of "Sunday Symphonies" with Easter gift card & ribbon
Sunday Symphonies rear cover
rear cover of "Sunday Symphonies"
Sunday Symphonies title
Title page of "Sunday Symphonies"
Sunday Symphonies p14-15
"Sunday Symphonies", pages 14-15

A Child’s Book of Abridged Wisdom

cover
Cover of “A Child’s Book of Abridged Wisdom”

Stories for adult readers go in and out of fashion, but children’s tales are timeless. Paul Elder and Company published a number of delightful children’s books that any modern parent could read at bedtime. One of these is A Child’s Book of Abridged Wisdom, from 1905. Each page has a short poem with accompanying amusing illustration. The simple pen-and-ink drawings are an interesting view into (and perhaps parody of) turn-of-the-century upper-class domestic life, particularly of children’s fashions: wide-brimmed hats, neckties and short pants for boys, hats and dresses for girls. Every page includes an animal, usually the pet dog or cat. Hints of Arts & Crafts architecture can be seen: wide porches, box beam ceilings, casement windows.

alt cover
Alternate cover of “A Child’s Book of Abridged Wisdom”

Two versions of the book have been seen: one in monochrome, the other in color. The latter is printed in as many as five different colors. The printing is on one-side only, with adjoining leaves left unopened.

The author and artist was the multi-talented Edward Salisbury “Ned” Field (1878-1936), who was also a journalist, playwright and poet. Early in his career he worked as an artist for the Hearst Newspapers in San Francisco and signed his drawings “Childe Harold”. During this time he became the secretary and possibly also the lover of Fanny Osbourne Stevenson, recent widow of author Robert Louis Stevenson. Fanny was 38 years his senior, but they were companions until her death in 1914. Just six months later, Ned married Fanny’s daughter Isobel Osbourne (Ned was 20 years younger than Isobel, and only three years older than her son Austin).

title
Title page, color version

Ned later became a successful real estate developer in Southern California and built a home on Zaca Lake, in the mountains north of Santa Barbara. The Field home became a popular destination for writers and actors. Ned Field died on 20 September 1936 at the age of 58. Isobel outlived him by seventeen years, and died in 1953 at age 95.

p14 colorized
pages 14-15, color version
p14 mono
pages 14-15, monochrome version
Dust jacket of "A Child's Book of Abridged Wisdom"
Dust jacket of “A Child’s Book of Abridged Wisdom”