Charity cover
Rear (left) and front covers of the pamphlet “Charity”

Today we gather as families and communities and give thanks for what we have. I urge you to take time to help those less fortunate. The Chronicle Season of Sharing Fund, now in its 26th year, provides one-time, temporary assistance to those experiencing an unexpected crisis. All of the Fund’s administrative expenses are covered by the Evelyn and Walter Haas, Jr. Fund and the San Francisco Chronicle. As a result, 100% of the money raised by the Chronicle Season of Sharing Fund goes directly to help the families and communities it serves.

Charity p08
Pages 8-9 of “Charity”

Charity (1911) is one of many pamphlets of inspirational quotes published by Paul Elder & Co. The verses were chosen by Beulah Warner, of whom nothing else is known. The distinctive typeface is called Washington Text, and the green decorations are by Charles Frank Ingerson (re-used from A Book of Hospitalities in 1910).

I wish you a warm, happy and healthy Thanksgiving.

Charity envelope
Matching envelope for “Charity”

Sunday Symphonies and Easter Greetings

Sunday Symphonies Easter gift cover
Easter gift cover for "Sunday Symphonies"

Happy Easter from!

In 1906 Paul Elder published Jennie Day Haines’s Sunday Symphonies, a compilation of quotations for every Sunday of the year. Haines wrote five other compilations for Elder, including Weather Opinions and Ye Gardeyne Boke.

This particular exemplar of Sunday Symphonies came in a special gift box for Easter 1908, complete with a purple ribbon and attached gift card.

Sunday Symphonies box
"Sunday Symphonies" gift box
Sunday Symphonies cover
Cover of "Sunday Symphonies" with Easter gift card & ribbon
Sunday Symphonies rear cover
rear cover of "Sunday Symphonies"
Sunday Symphonies title
Title page of "Sunday Symphonies"
Sunday Symphonies p14-15
"Sunday Symphonies", pages 14-15


Prosit cover
Cover of “Prosit”. The motto “nunc est bibendum” comes from Horace’s Odes, and means “now is the time to drink”

What better book for ringing in the New Year than a book of toasts? Prosit — A Book of Toasts (1904) was written by “Clotho,” but everyone knew this to be a pseudonym of the Spinner’s Club, a popular women’s club in San Francisco dedicated to encouraging creative genius in women.

Happy New Year to all from! May you keep all your resolutions!

Prosit cover alternate
Alternate cover for “Prosit” with cloth ties
Alternate leather binding of "Prosit"
Alternate leather binding of “Prosit”
Prosit title
Title page of “Prosit”. Frontispiece by Gordon Ross.
Prosit p72
“Prosit”, page 72-73

Cynic’s Calendar of Revised Wisdom

In 1902 Oliver Herford, Ethel Watts Mumford and Addison Mizner wrote a book of witty updates of popular sayings (one example: “people who love in glass houses should pull down the blinds”). The book was packaged into calendar form, entitled The Cynic’s Calendar of Revised Wisdom for 1903, printed by the Twentieth Century Press and published by Elder & Shepard. The New York Times reviewed the book on 10 January 1903:

Oliver Herford, Ethel Watts Mumford and Addison Mizner have prepared an attractive little nonsense book in spite of its pessimistic title (The Cynic’s Calendar of Revised Wisdom for 1903, Elder & Shepard, San Francisco, 75 cents) very startlingly bound in warm red calico with two black cats conventionally intertwined to give it finish. Some of the wisdom smacks of bitterness, which even for a cynic is not nice, but others of their distorted proverbs make clever reading. Indeed, the very first sentiment that ushers in the New Year is one that is doubtless echoed by the majority of mankind: “God gives us our relatives; thank God we can choose our friends.”

Nonetheless, the 1903 Cynic’s Calendar was a huge success. It wasn’t high-class literature, but it helped pay the bills. Elder published six more calendars through the year 1909, and followed that with The Complete Cynic, a 1910 compilation of the best quips from the seven calendars. Finally, a Revived Cynic’s Calendar was published for 1917.

Many of Paul Elder’s authors were obscure and quickly forgotten, but this was not the case with Mizner, Mumford and Herford.

Addison Mizner
  • Addison Mizner (1872-1933) was an American architect famous for his Mediterranean and Spanish Colonial resorts in Florida. He was one of the most famous architects in America in the 1920s. He was born in Benicia, California and apprenticed with Willis Polk despite the lack of formal architectural training. Addison’s brother Wilson Mizner was manager of The Brown Derby restaurant in Los Angeles, and they were involved in a series of scams and misadventures that inspired Stephen Sondheim’s musical Road Show.

  • Ethel Watts Mumford (1873-1940) was an American author and artist. She was born in New York to a wealthy family who gave her a fine education, including studying painting at the Académie Julien in Paris. In 1896, Ethel married George Dana Mumford, but divorced him when he became intolerant of her literary career. She swore not to remarry unless the new gentleman accepted her as a professional writer. In 1906, she married Peter J. Grant and for a while wrote as Ethel Watts Mumford Grant before reverting to her original byline.
Oliver Herford
  • Oliver Herford (1863-1935) was a British-born writer, artist and illustrator who is sometimes called “the American Oscar Wilde.” When he was a teenager, his father, a Unitarian minister, moved the family to Chicago. He attended Antioch College in Ohio, then later the Slade School in London and the Académie Julien in Paris. He lived in New York City for most of his life and was a longtime member of the Players Club, as was Elder’s partner Morgan Shepard. Herford wrote for magazines such as Life, Punch, Century Magazine, The Mentor, and Ladies Home Journal, and also wrote many plays. His younger sister Beatrice Herford was a humorist, actress and vaudeville performer in England.

In his memoir The Many Mizners, Addison Mizner tells the story of the making of the calendar. It is amusing enough that I have included it here in full. Our story begins in Honolulu, Hawaii, where he has been living for many months. He is almost broke, which apparently was not unusual:

Steamer day was the bright spot in the week, and one forgot his feuds in seeing new faces and getting news from the mainland. Hardly a steamer landed that did not bring people with letters of introduction and although they paid for carriages one had to do something for them, and this shaved my purse to a splinter.

One steamer day a most lovely young woman arrived. She had the usual letter, introducing Mrs Ethel Watts Mumford to me. She had with her, her aunt, Mrs Morrow, and cousin Ethel, and last but not least the “hell child,” her son of about seven. He was a terrible brat, but Ethel Mumford was so gay and attractive that even this handicap did not fend me off. She had just been divorced and wanted to be an author and was looking for local color. It was not long before she had the islands by the tail, for she thought the natives more interesting than the missionaries’ offspring.

She took a house at Waikiki, on the beach, and any moonlight night you could hear native music and see dimly the hula under the coconut trees, with a long cloth laid under the hoawa trees for a luau.

All this so scandalized respectability that at any odd time the acetylene lights would flash on the scene, and finding nothing worse than a native feast, would blink out in disappointment. Curiosity became so keen that, finally, the more advanced came to call. At first they warned politely that one did not mix with the “Kanaka” as a social equal, but many stayed to do a little mixing themselves.

Ethel had too much sense of humor to be considered sentimental. We swam all day, feasted, and learned the hula, and Honolulu was split in twain with those that were shocked and those that were curious and defended the cause.

One day I twisted an old adage to fit the time, and Ethel came back with a quotation from Oliver Herford. We began twisting all the old saws and bringing them up-to-date.

It was nearing Christmas time, and Ethel suggested that we get out a calendar like the Shakespeare ones of the period, where you tore off a quotation each day, only we were to use our twisted aphorisms instead.

We got 365 together and sent them to Elder & Shepard in San Francisco to be printed for our Christmas presents. Elder wrote back and asked us if he could publish it for sale, with a few cuts. The cuts brought our one a day down to one a week, for this was the beginning of the 1900s and the things the editors cut out would be sewing circle stuff today. But, we thought it would be fun and we got up a design, with a gingham cover, and illustrations and sent back the dummy of the Cynic’s Calendar by Ethel Watts Mumford, Oliver Herford and Addison Mizner.

The very first “crack” in the damn thing cost me plenty, for I had said: “God gives us our relatives; thank God, we can choose our friends.” I moulted a couple of rich old aunts on the instant.

Oliver Herford had never heard of me and got fussy and resented our using his name and thought he should get 90% of the royalties. As Ethel and I didn’t expect any return, we didn’t pay much attention to his squawks; besides, we had only used two or three of his jolts, and had done all the work, both as to designs and contracts. We thought a third was fair enough for him. Imagine our shock when the first royalty checks came in and we found that we had made over $1500 apiece!

–from The Many Mizners, by Addison Mizner. Sears Publishing, 1932.

All the Cynic’s Calendars, from 1903 through to 1917, are all the same size, with fabric-covered boards. The fabric was not identical for each copy of the same year’s calendar: your copy may well be different from the fabric in the photos below. I have included photographs of some alternate fabric covers.

Many of the pen-and-ink drawings in the calendars are signed “Towanda,” which was Mumford’s nom de plume. In addition, each of the sayings can be attributed to one of the three authors by means of the accompanying monogram (see photographs below); Mumford’s monogram is a “T” for “Towanda”. If anyone knows more about the name “Towanda” and why Mumford chose it, I would be grateful to hear of it.

Cover of the 1903 calendar
Cover of the 1903 calendar
1903 Calendar for the week of July 1st, with an aphorism by Oliver Herford and an "O" monogram
1903 Calendar for the week of July 1st, with an aphorism by Oliver Herford and an “O” monogram
1903 Calendar for the week of July 12th, with an aphorism by Addison Mizner and his "AM" monogram
1903 Calendar for the week of July 12th, with an aphorism by Addison Mizner and his “AM” monogram
1903 Calendar for the week of December 27th, with an aphorism by Ethel Watts Mumford and her "T" (Towanda) monogram
1903 Calendar for the week of December 27th, with an aphorism by Ethel Watts Mumford and her “T” (Towanda) monogram
Cover of the 1904 calendar
Cover of the 1904 calendar
Title page of the 1904 calendar
Title page of the 1904 calendar, with a drawing on the left by Ethel Mumford signed “Towanda”
Cover of the 1905 calendar
Cover of the 1905 calendar
1905 calendar with different cover fabric
Cover of the 1906 calendar
Cover of the 1906 calendar
Cover of the 1907 calendar
Cover of the 1907 calendar
1907 calendar with different cover fabric
Cover of the 1908 calendar
Cover of the 1908 calendar
1908 calendar with different cover fabric
1908 calendar with yet another cover fabric
Cover of the 1909 calendar
Cover of the 1909 calendar
Perfectly Good Cynic 1909 perpetual cover
1909 calendar with different cover fabric
Title page of the 1909 calendar
Title page of the 1909 calendar, with drawings by Ethel Mumford signed “E W Grant” and “E W G”
Cover of the 1910 compilation "The Complete Cynic"
Cover of the 1910 compilation “The Complete Cynic”
Cover of the 1917 "revived" calendar
Cover of the 1917 “revived” calendar

Mosaic Essays

Beginning in 1901, Paul Elder compiled and published a series of booklets of aphorisms, each with a separate theme. Friendship was published first, followed by Happiness, Nature and Success in 1903, and finally by Love in 1905. They were quite successful—over 70,000 copies were sold by 1904—so in 1906 Elder reissued the five booklets as a single volume entitled Mosaic Essays. The cover and title page artwork is by Santa Barbara artist Robert Wilson Hyde.

Mosaic Essays cover
Front and back covers of “Mosaic Essays”

There are three known bindings: paper wraps, paper on boards, and leather wraps. The paper wraps edition seen below was issued with a matching presentation box; such a box was probably available with the other editions as well.

Mosaic Essays title
Mosaic Essays, decorated half-title page
Variant leather cover of "Mosaic Essays"
Leather-bound edition of “Mosaic Essays”
Mosaic Essays paper
Paper wraps binding of “Mosaic Essays”



Matching presentation box for the paper wraps edition of "Mosaic Essays"
Matching presentation box for the paper wraps edition of “Mosaic Essays”