What Is a Kindergarten?

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Wraparound cover art for “What is a Kindergarten?”

The kindergarten (literally “children’s garden”) movement began in 1837 when Friedrich Fröbel founded a play and activity institute in the Bavarian town of Bad Blankenburg. His idea was to create a social transition for children between home and school, and that they should be nourished like plants in a garden. Fröbel’s ideas soon began to spread around Europe and then to America, where the first kindergarten opened in Boston in 1860 and the first public kindergarten in St Louis in 1873.

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Title page of “What is a Kindergarten?”

In his 1901 book What Is a Kindergarten?, published by Elder & Shepard, landscape architect George Hansen takes the German word literally: he advocates physically putting the children in a garden. For Hansen there is room enough to do this: “The broad acres of our United States yet comparatively undivided … and [few] are too costly to furnish the ground upon which our kindergartens shall be founded.” Instead of “the basements of our school buildings,” Hansen wants the children out in the open:

We compare a man to an oak, a woman to a birch, a girl to a lily, a boy to a weed. This surely has foundation in reason. … Remember, every child in your charge is an Edison, every tot a Columbus, and the idealizing disposition of all of them sees a Garden of Eden in a vacant lot. I insist upon mere association of plants and children.

To bring home his point, Hansen included nine plates (see example below) of how to include garden areas on school grounds of different sizes and shapes. “If a glance at the series of plates  gives the impression that every one of them might as well be the appointment of an area surrounding a private home as that of a kindergarten, their objects are served.” If Hansen were alive today, he would be joining Chez Panisse’s Alice Waters in evangelizing the Edible Schoolyard Project.

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Page 12-13 of “What is a Kindergarten”

George Hansen (1863-1908) was born in Hildesheim, Germany. His grandfather, Rev. J. G. K. Oberdieck was a famous pomologist (the study of fruit) and was rewarded by the Prussian government with a guaranteed spot at the university for whichever of his grandchildren took a delight in horticulture. George was selected and attended the Royal College of Pomology in Potsdam. In 1885 he moved to England and worked for F. Sander & Company in their orchid house, and was elected a Fellow of the Royal Horticultural Society.

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Page 72 and Plate I of “What is a Kindergarten?”

Hansen came to America in 1887 and became foreman of the University of California Foothill Experiment Station in Jackson (Amador County). He became a distributor of exsiccatae, or specimens, of the Sierra Nevada flora, and wrote a book about it called Where the Big Trees Grow (1894). It was also in this year that Hansen completed his magnum opus, for which he is still best known, The Orchid Hybrids.

In 1896 Hansen suffered a spinal injury which made walking extremely painful. He moved to the Scenic Tract in Berkeley, on the north side of the University of California campus, and for the next twelve years scarcely left the confines of his house and garden. But during those twelve years he published What Is a Kindergarten? and continued to sell his botanical books and specimens. In 1902 Elder & Shepard also published five keepsakes called the Baby Roland Booklets, a photographic essay of his young son Roland.

George Hansen died at his home in Berkeley on 1 March 1908, from complications of his spinal injury. He was only 45 years old.

Charity

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Rear (left) and front covers of the pamphlet “Charity”

Today we gather as families and communities and give thanks for what we have. I urge you to take time to help those less fortunate. The Chronicle Season of Sharing Fund, now in its 26th year, provides one-time, temporary assistance to those experiencing an unexpected crisis. All of the Fund’s administrative expenses are covered by the Evelyn and Walter Haas, Jr. Fund and the San Francisco Chronicle. As a result, 100% of the money raised by the Chronicle Season of Sharing Fund goes directly to help the families and communities it serves.

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Pages 8-9 of “Charity”

Charity (1911) is one of many pamphlets of inspirational quotes published by Paul Elder & Co. The verses were chosen by Beulah Warner, of whom nothing else is known. The distinctive typeface is called Washington Text, and the green decorations are by Charles Frank Ingerson (re-used from A Book of Hospitalities in 1910).

I wish you a warm, happy and healthy Thanksgiving.

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Matching envelope for “Charity”

The Standard Upheld

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Title page of “The Standard Upheld”

During their five-year collaboration between 1898 and 1903, Morgan Shepard was the artist, decorator and poet, while Paul Elder was the businessman and bookseller. Elder & Shepard published six of Shepard’s works during that time, mostly children’s stories. The prettiest of them is his slim volume of poetry The Standard Upheld, published in 1902. The title page decorations, as well as the initial capitals throughout the book, are almost certainly Shepard’s.

The opening poem, “Shall I Cast Down the Standard Of My Life?” is no doubt autobiographical. Shepard was a fighter (sometimes literally) all his life, and the metaphor of “me against the world, holding my standard high” is an apt image.

In contrast to Shepard, Paul Elder never published any original works. Though his byline appeared on seventeen of his publications, “compiler” would be a better word than “author”: they were all collections of quotations. Presumably Elder also wrote most of the copy for his in-house magazine Impressions as well.

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Special binding for “The Standard Upheld”. Elder & Shepard’s normal bindings never looked like this.

This copy of The Standard Upheld was specially bound by bookbinders James A. Rutherford and Henry W. Thumler, whose shop was at 538 California, about three blocks from Elder & Shepard’s bookstore (and later at 117 Grant, just down the street).

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Page 1 of “The Standard Upheld”, and poem from which the book’s title is taken
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Pages 10-11 of “The Standard Upheld”

Fairy Tales Up-To-Now

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Typical cover of “Fairy Tales Up-To-Now”.

Extra, extra, read all about it! Wallace Irwin rewrites old fairy tales!

In contrast to Irwin’s Love Sonnets of a Hoodlum, whose humor is obscure to modern readers, his 1904 Fairy Tales Up-To-Now is fairly accessible. Irwin took standard fairy tales which everyone still knows today (Cinderella, Little Red Riding Hood, Jack and the Beanstalk, etc) and rewrote them in poetry, accompanied by hard-boiled newspaper headlines.

What I love best about Fairy Tales Up-To-Now is the unusual binding. The cover boards have been letterpress printed with actual newspaper articles—but without ink—resulting in a unique tactile feel. Paper labels were then pasted on top. The typography inside also mimics a newspaper look & feel.

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Title page of “Fairy Tales Up-To-Now”

Update, 2 Feb 2014: Today Priscilla Anne Lowry of Lowry-James Rare Books showed me two copies with different stamped text on the boards. I checked both my own copy and an online image, and all four copies are different. It remains to be seen how many different cover states exist.

Update, 18 Apr 2020: Molly Schwartzburg comments below about how each cover is probably “flong” (a negative mold) leftover from printing newspapers, making each cover unique.

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pages 10-11 of “Fairy Tales Up-To-Now”

 

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pages 6-7 of “Fairy Tales Up-To-Now”

A Book of Hospitalities and a Record of Guests

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Cover of “A Book of Hospitalities”

Guest books aren’t seen much today except at weddings and funerals. It seems they were more popular in the early 1900s, as Paul Elder published four guest books between 1904 and 1910.

Arthur Guiterman’s Book of Hospitalities And a Record of Guests (1910) was intended to be placed in the parlor, living room, or perhaps the guest bedroom. The first section (“A Book of Hospitalities”) contains a selection of sayings and epigrams for the house, and the second half (“A Record of Guests”) contains blank areas for the guests to write in. Guiterman was also involved in two other Elder publications: the 1908 guest book entitled (appropriately enough) Guest Book, and the 1907 humor book Betel Nuts, Or What They Say In Hindustan.

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Title page of “A Book of Hospitalities”

Arthur Guiterman (1871-1943) was born in Vienna to American parents and graduated from the College of the City of New York in 1891. He was the author of a dozen books, primarily poetry. He was also editor of Women’s Home Companion and Literary Digest. In 1910, he co-founded the Poetry Society of America (which still exists and celebrated its centennial in 2010), and served as president in 1925.

I am particularly fond of Guiterman’s poem entitled “On the Vanity of Earthly Greatness”

The tusks which clashed in mighty brawls
Of mastodons, are billiard balls.
The sword of Charlemagne the Just
Is ferric oxide, known as rust.
The grizzly bear, whose potent hug,
Was feared by all, is now a rug.
Great Caesar’s bust is on the shelf,
And I don’t feel so well myself.

If you happen to own a copy of my 2004 Checklist of the Publications of Paul Elder, 2nd edition, you will see that the page borders are taken from Book of Hospitalities.

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Frontispiece of “A Book of Hospitalities”
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Foreword of “A Book of Hospitalities”

 

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Text of “A Book of Hospitalities”

 

Arthur Guiterman
Arthur Guiterman (1871-1943)